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A model in an ochre pleated gown against a Roman stone facade

Her story

A LONG WAY ROUND TO A SIMPLE IDEA.

Iran. India. Milan. Then seven continents on a motorcycle. None of it was about clothes. All of it shows up in how I dress people.

A deep red draped dress from the Memory of Baroon collection

The beginning

IRAN

WHERE THE EYE WAS TRAINED FIRST.

I grew up somewhere that taught me the difference between dressing to be seen and dressing to be understood. Both are choices. Only one of them lasts.

Long before I could name what I was doing, I was reading people through what they wore — what they were signalling, what they were hiding, and what they had simply never decided.

A layered colour-blocked silk look

The education

INDIA

COLOUR, TAUGHT PROPERLY.

India taught me colour as a discipline rather than a decoration — how it changes a face, how it carries in different light, how much of someone's presence is decided before they speak.

It is where I stopped being cautious. Neutral is a base, not a personality.

A look from the MARAL runway show

The craft

MILAN

BEFORE I STYLED PEOPLE, I DESIGNED FOR THEM.

I trained and worked in fashion design — cutting, fitting, and sending collections down a runway under my own name.

That work teaches something no shopping trip can: why a garment works, why another never will, and which flaws a tailor can fix in an afternoon. I have made the clothes. I know what they can and cannot do for you.

A copper silk gown from the Sunrise Paris collection
A black gown caught in motion on Roman steps
A runway look photographed beneath the MARAL show sign
A gold brocade gown photographed in a Dubai interior

The years abroad

PARIS · ROME · LONDON · DUBAI

FOUR CITIES. FOUR DEFINITIONS OF WELL DRESSED.

Paris taught restraint. Rome taught confidence. London taught rule-breaking. Dubai taught occasion.

Working across all four is what stopped me having a house style. I don't dress clients like me. I dress them like the most decided version of themselves — in whichever of those languages their life is actually conducted.

Maral Yazarloo in touring gear beside a painted mural during the Ride To Be One journey

The ride

7 CONTINENTS · 64 COUNTRIES · 18 MONTHS

STYLE HAS TO SURVIVE REAL LIFE.

I crossed seven continents and sixty-four countries on a motorcycle, over eighteen months, with what fitted on the bike.

It was not a style experiment. But it became the most useful test I have ever run: what holds at hour fourteen, what recovers, what is worth its weight, and what you never once reach for. Everything I know about packing, fabric behaviour and buying less comes from that.

It is also where I learned that arriving somewhere and not having to think about what you are wearing is not a small luxury. It is the whole point.

A gold textured floor-length coat

Today

AND NOW

STYLE, DIRECTED.

I work privately with people who are done experimenting — founders, executives, public figures, and anyone who has quietly realised their wardrobe stopped matching them some years ago.

The design years gave me the craft. The road gave me the perspective. What I do with both is simple: I make the decisions you have been avoiding, and I write them down so you never have to make them again.

Recognition

  • 2020

    ET GEN NEXT Icons Award

    The Economic Times

  • 2018

    100 Women

    BBC — 100 inspiring and influential women worldwide

  • 2017

    Pune's Most Powerful

    Femina

  • One of the first three women to ride a motorcycle across all seven continents.
  • Sixty-four of those countries were crossed on the bike; she has travelled to 113 in total.
  • Rode the final six months of the journey pregnant, finishing the route she set out on.
  • Set out from India in March 2017 with no support team and no backup vehicle.
  • PhD, Marketing

    University of Pune

  • Fashion design

    Studied in Milan

  • House of Maral Yazarloo

    Label founded 2012 · Paris debut 2013

  • Head of Retail & Marketing

    Panchshil, 2006–2017

THAT'S MY STORY. LET'S TALK ABOUT YOURS.